Costume fashion design thesis that reflect the character of LGBTQ from Lady Gagas inspiration aims to study the type of concept type of structure decoration technique of costume and emotional scene in the music video Born This Way by Lady Gaga in order to create the concept of costume that show the LGBTQ identity. The tools that use for study is two type of analysis which is Lady Gaga costume analysis. this part used three standard to analyze 1)concept 2)structure 3)decoration Second one is Lady Gagas costume design analysis by separated in to three part of analysis. 1)concept 2)structure 3)emotional scene aims to study the physical character and over all analysis in order to create constructively costume concept which is reflect the LGBTQ identity The results of the study showed that Lady Gagas costumes and interpretations have a distinctive feature of the distinctive layout decorative techniques and emotional scenes in the Born This Way music video emphasizing the importance and reflection of reflection. The identity of the third gender in order to be accepted by society by using the information obtained as a guideline in costume design that reflects the identity of the third gender and focuses on creating their identity and promoting the new generation in society to recognize and accept

The purpose of this research was to: 1) to study the Thai Khon dress. 2) to design and develop the printed pattern for the casual wear in a graphic style using the unique Thai costume. 3) to study consumer satisfaction of develop of the printed patterns for casual wear in graphic by using the identity of the costume Khon Thai. The instruments used in this study were 27 patterns 27 styles 9 pattern prototype products and a satisfaction questionnaire. The samples were students and staff aged between 20-40 years at Rajamangala University of Technology Phra Nakhon (Chotiwat Center) used 345 purposive sampling methods. The method of determining the size of the sample by Taro Yamane method was at a level of confidence of 95% and the assumption was that the individual factors were different the level of satisfaction with the printed pattern for the casual wear in the graphic format different to inquire and analyze different personal factors. The research found that the samples were 20-25 year old female single status bachelor’s degree students with less than 15000 baht. There were reasons to choose a printed outfit for casual wear or printed outfit: from personal favorite aesthetics modern style with the frequency of purchase every 3 months. The agenda of wearing was a common opportunity price less than 500 baht per person and with the decision to buy by oneself. The design of printed motifs inspired by Thai Khon costumes with the highest level of satisfaction was the monkey print. The satisfaction with the printed pattern of casual shirt (TOP): the highest level of satisfaction was the monkey printed motif the second was the giant and then the leading actor and actress respectively. The satisfaction with the printed pattern of casual shirt (BOTTOM): the highest level of satisfaction was the monkey printed motif the second was the giant and then the leading actor and actress respectively. The satisfaction with the printed pattern of casual wear (DRESS): the highest level of satisfaction was the monkey the second was then the leading actor and actress and the giant respectively. The differences in personal factors on the satisfaction of printed patterns for casual wear in graphic form were by gender age occupation average income and different education as well as the satisfaction to printed patterns for casual wear with different graphical styles.

In this study on Intellectual heritage of embroidery for Khon costumes the author had two objectives: 1) to research the origins and development of Khon costumery over time and 2) to understand the methods materials and patterns used in the creation of various articles of a Khon performers dress—with the desire both to preserve and revive traditional methods of creating Khon costumesThese objectives were accomplished by 1) researching primary documents from domestic and international 2) interviewing experts in the design of Khon costumes mural painters and other visual artists 3) studying old photographs and video footage of Khon dance-drama in relation to Khon costumes today 4) studying related art forms 5) comparing remnants of Khon costumes from different periods of time with those made in the present. The study found that: The formal features of Khon costumes were based on the real daily wear of the noble classes in ancient societies but whose characteristics were enlarged to suit the demands of theater. For the most part the designs on Khon costumes were originally developed from those on fabrics imported to Thailand from India and later transformed into vine leaf and flower figures. Both the methods and materials used in creating Khon costumes today are less intricate than those of the past resulting in costumes of less quality than their predecessors. The beauty of Khon costumes depends on the proportions of each individual piece. The design of their patterns requires an attention to detail and elaborate embroidery. Today there are renewed efforts to revive these older values by Her Majesty Queen Sirikit.

In the research on “The Costume Creative Design and Accessory Creative Design Green Eco Innovation for Asian Community” the purpose of the study was to create the product design on the costumes and accessories for working ladies and gentlemen. Its main sources were on Thai culture representative of the ASEAN cultures that were inspired by the culture and lifestyle of Thai people. This study has selected Thai population Thai culture Thai lifestyle Thai wisdom Thai basketry and fertility of the central region in Thailand. The samples were additionally selected from the weaving culture and fertility of the rice field in the middle of Thailand. The tools used were based on the descriptive analysis from the structure of basketry obtained from the central region of Thailand. The color analysis was based on the integrity of the rice paddy in the central plains as well as the pattern analysis was from Thai basketry and pattern of rice paddy in the central plains. The fabric used in the design was made of the natural fibers water hyacinth mixed with cotton at the ratio of 30: 70. On the product development the principles of 4P Marketing Strategy and the application of natural colors were carried to obtain the ladies’ costumes and accessory creative design and unique new handbag. From the results the analysis of basketry structure in the central region indicated after making a section for the shape as the balancing curve and circular shapes the lady costumes and accessory creative designs could be successfully fashioned.When analyzing for proper colors on the costumes and accessories the designs based on the fertility of the rice paddy in the central plains together with the cultural prosperity urbanized society and the nature were applied. The appropriate colors chosen to be yellow red and blue were from natural colors of Garcinia Rave and Indigo respectively. Therefore the products of costumes and accessory creative designs could be one innovative green textile that meets the needs of the consumers in the ASEAN communities who are concerning on the sustainable and environmental conservation.

The purposes of Design Project of Business Party Costume for Women inspired by Sino- Portuguese architecture are to study Sino-Portuguese architectural structures in Phuket to study costume design works in 2011-2012 and to create five Business Party costumes for women inspired by Sino-Portuguese architecture. Sino-Portuguese architecture has remarkable structures and styles combining western architecture with eastern styles. In Thailand this style is mostly found in buildings and houses in the southern region and the best preserved buildings are in Phuket. The mixture of classic renaissance and neo-classic styles was well combined with Sino-Thai Art making it significant and distinctive. Nowadays these constructions are regarded as conserved buildings. Therefore the author designed Business Party costumes for women which can be worn to work and also for special occasions resulting in saving time and money. The idea for working women costume design was influenced by Sino-Portuguese architectural features adding more various patterns and styles of costume. For analyzing the method of descriptive analysis of Sino-Portuguese architecture was used dividing criteria into four analytical aspects focusing on physical features and analyzing sample pictures of the architecture to create the costumes. In conclusion according to the study in Sino-Portuguese architecture it can be summarized that Sino-Portuguese architecture is not only the combination between western and eastern architectural styles. This combination was influenced by English Dutch (Dutch or Holland now is Netherland) Portuguese (Portugal) and French styles. However all of them were originated from Greek and Roman. Sino-Portuguese architecture in Phuket is similar to those in Penang. It can be said that Phuket and Penang at that time were sister cities and the decoration styles in Phuket were influenced and changed over time. As for the costume design the clothes were designed to be worn for many occasions for example it can be worn to work then go for special occasion without changing. The design aimed to be comfortable beautiful in patterns and ornaments and easy to wear as well as time-saving.