The objective of the study were to produce 5 prototype products made of native fabric Paihoochang Banglen district Nakhon Pathom Province which were facial tissue boxes hanging hand towels bolster cushions bags and tablecloths and to study the opinion’s customer toward prototype products about styles sizes utilizations and attractiveness on different products. Choosing by the random sampling there are 200 evaluators who were interested in prototype products. The prototypes products were presented in 4 department stores of Nakhon Pathom. The statistic analysis was done by using the computer program. The research found that the most of the evaluator were 31-40 years of age females single and graduated in Bachelor degree level. Their occupations were running private business with over 20001 baht income per month. The purpose for buying products was the presents or souvenirs. The motivation for buying products was the utilizations. The result of customer satisfaction affected phototype products from native fabric weaving showed that the average highest satisfaction in styles of product was the hanging hand towels A which was decorated by jacket style. The satisfaction of sizes of product showed the average highest was the hanging hand towels A which was decorated by jacket style and B which were decorated in scarf style. The satisfaction of utilizations of product showed the average highest was the hanging hand towels A which was decorated by jacket style. The satisfaction of attractiveness of product showed the average highest was the facial tissue boxes A which was decorated by jacket style. The 4 issues satisfaction of products found that all prototypes was the average high the hanging hand towels A which was decorated by jacket style was the average highest .

The aims of this study are to 1.) develop a new woven Mudmee pattern which inspired by optical art integrated with the silhouette of Prasat Si Khoraphum in Surin province 2.) use the developed Mudmee pattern to improve clothing design influenced from 1960s fashion 3.) test the satisfaction level of the finished Mudmee clothes from the sample group. There are 7 textiles professionals including pattern designers textile artists Mudmee textile specialists and 5 fashion designers as supervisors in screening the patterns and designs. The sample group is selected from the staffs who work in Rajaphat Surindra University and Rajamangala Northeast (Surin Campus). The tool in this research are the fabric pattern sketches inspired by optical art integrated with the silhouette of Prasat Si Khoraphum the 1960 fashion clothing design sketches and the satisfaction survey. The satistical package for the social science program was employed fro mean and percentage. This study found that the most selected designs from 7 textiles professionals were Pra Sart Moom Soong 1 pattern Nammatam1pattern and Rekhakanit 4 pattern. There were 9 jacket sketches that had been selected. The level of satisfaction on the clothing design from 1960 era of 213 women staff who work in Rajabhat Surindra University and Rajamangala Northeast University (Surin Campus) showed that the Pra Sart Moom Soong 1 pattern gained the highest level of satisfaction (4.78) The Rekhakanit 4 pattern was the most aesthetics pattern (4.70). Finally the sample group satisfied the color and pattern of Nammatam1 the most (4.73). In Chon-Phoa group the most aesthetic jacket patterns were Pra Sart Moom Soong 1 (4.67) and Nammatam1 (4.70). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.74). In the uniform group the most aesthetic 1960 jackets pattern were Pra Sart Moom Soong 1 (4.74) and Nammatam1 (4.71). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.73). In Art and Fashion group highest level of correlation between pattern and clothing designs for each pattern were Pra Sart Moom Soong 1 pattern(4.67) Rekhakanit 4 pattern (4.69) and Nammatam1 (4.70).

The purpose of this research was for studied of The Development of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand. These Studied are explored the satisfaction to the development of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand. This research was Quasi-Experimental Research Selected among of 250 people sampling groups were Indian women or Thai women with Indian nationality who live in Bangkok by Accidental Sampling and analysis the information by SPSS computer program by a method of frequency percentage mean standard deviation and tCtest. The research result founded that the sampling group of people were married and under 30 years old who educated undergraduate degree or equal level. They were house wives with made and income 15001- 20000 per month. Their reason is appropriate and could wore them into the social occasions many else though. The results obtaining from studying the satisfaction in development of Indian womenns dresses of Punjabi style by using the hand C woven cotton fabrics from the north C eastern part of Thailand of types touching surfaces colors patterns/stripes. The total Mean as compared with the satisfaction of dresses was found as follow : Hong stripes Knid cotton fabrics had mean and its highest satisfaction being at a high level and as compared with the common data of such ; age education occupation income the satisfaction of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand such as the touching surfaces colors the different at .05 statistics level. The another satisfaction the common data of such ; age education occupation income the satisfaction of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand such as the touching surfaces colors the different at did not different at .05 statistics level. The satisfaction is not different patterns/stripes of fabrics but age education occupation income is different.

This research aimed to study the basic recipes of making “Pla Nil Yong” were studied. The Completely Randomized Design (CRD) was used to evaluate the sensory property in overall liking the characteristic appearances color flavour taste and texture. There were used 30-testers and a 9-Point Hedonic Scale were used. The study found that the second basic recipe had the highest scores in overall satisfaction. The 3 types of heating of fish meat production used were: Steaming Pressure Cooking and Broiling. It was found that the Pressure Cooking had the highest scores of all averages. The Steaming and the Pressure Cooking made the fish fiber fluffier than the Broiling. By the color variation of finishing product was as follow: Brightness (L*) 53.91 Red (a*) 10.50 Yellow (b*) 30.25 aw 0.57. By the amount of total microorganism 2.5x102 CFU/g Yeast and Fungus <25 CFU/g Moisture 4.75% Fat 6.54% Protein 48.06% Ash 7.47% Fiber 0.54% Carbohydrate 32.64%. The study of 3-differrent-temperature of storage were 28 40 and 50 degree Celsius. In 90-day storage checking; found that all of the three variation had overall liking the characteristic appearances and color were different but flavour taste and texture were of no difference. The total amount of microorganisms: yeast and fungus were a lower standard. The production cost of Pla Nil Yong is 397.10 bahts per kilogram.

The purposes of this research were 1) the comparison of tie-dye methods; Binding technique folding technique and stitching technique and 2) three kinds of fabric dyed; cotton linen and rayon comparison and 2 pattern design groups; geometrics and naturalistic patterns. There are 8 motifs were used; quadrangle trianglecircle heart form flower leaf butterfly and worm. The research tools were used; The assessment for 15 connoisseurs (connoisseurship model). Data were analyzed by the statistical package for the social science program and using mean percentage standard deviation one-way ANOVA and chi-square.The result of the study were that binding technique had mean 4.20the second was stitching technique had mean 4.10 and the last was folding technique had 3.69. The result of the tie-dye technique suitability comparative ranking for massproduct that the best technique is binding. The second was stitching technique and the last was folding technique. In this study there were comparative in 5 parts as follows 1.tie-dye method 2. pattern design 3. colour of fabric dyed 4. overall image of fabric dyed 5. capability of techniques.Binding technique folding technique and stitching technique on Cotton were much points in tie-dye method and capability of techniques. Binding technique and stitching technique on Cotton were much points in pattern design and overall image of fabric dyed. Binding technique and stitching technique on Linen were much points in 5 parts. Folding technique on Linen were much points especially in tiedye method and capability of techniques. Binding technique and stitching technique on Rayon were much suitable in 5 parts. Folding technique on Rayon were much especial points in 5 parts except overall image of fabric dyed. Comparison of three kinds of fabric and two pattern groups were that cotton linen and rayon fabrics in geometrics and naturalistic patterns had average the best in binding technique. To compare tie-dye techniques and fabrics and pattern groups had different for some parts statistically significant at level of .05