The aims of this study are to 1.) develop a new woven Mudmee pattern which inspired by optical art integrated with the silhouette of Prasat Si Khoraphum in Surin province 2.) use the developed Mudmee pattern to improve clothing design influenced from 1960s fashion 3.) test the satisfaction level of the finished Mudmee clothes from the sample group. There are 7 textiles professionals including pattern designers textile artists Mudmee textile specialists and 5 fashion designers as supervisors in screening the patterns and designs. The sample group is selected from the staffs who work in Rajaphat Surindra University and Rajamangala Northeast (Surin Campus). The tool in this research are the fabric pattern sketches inspired by optical art integrated with the silhouette of Prasat Si Khoraphum the 1960 fashion clothing design sketches and the satisfaction survey. The satistical package for the social science program was employed fro mean and percentage. This study found that the most selected designs from 7 textiles professionals were Pra Sart Moom Soong 1 pattern Nammatam1pattern and Rekhakanit 4 pattern. There were 9 jacket sketches that had been selected. The level of satisfaction on the clothing design from 1960 era of 213 women staff who work in Rajabhat Surindra University and Rajamangala Northeast University (Surin Campus) showed that the Pra Sart Moom Soong 1 pattern gained the highest level of satisfaction (4.78) The Rekhakanit 4 pattern was the most aesthetics pattern (4.70). Finally the sample group satisfied the color and pattern of Nammatam1 the most (4.73). In Chon-Phoa group the most aesthetic jacket patterns were Pra Sart Moom Soong 1 (4.67) and Nammatam1 (4.70). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.74). In the uniform group the most aesthetic 1960 jackets pattern were Pra Sart Moom Soong 1 (4.74) and Nammatam1 (4.71). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.73). In Art and Fashion group highest level of correlation between pattern and clothing designs for each pattern were Pra Sart Moom Soong 1 pattern(4.67) Rekhakanit 4 pattern (4.69) and Nammatam1 (4.70).

The aimed of this study are to 1) Pattern design development of silk loincloth (hangkrarok silk) of Community Silk-Weavers Groups in Huairat district Buriram province. 2) The study of customer satisfaction of developed silk loincloth (hangkrarok silk) by Community Silk Weavers Groups in Huairat district Buriram Buriram province. The procedure of this research is population of Community Silk-Weavers Groups in Huairat district Buriram province. All population is 8 (Tam-bon) districts. In pattern design development processing it used pattern design of silk loincloth (hangkrarok silk) by 18 patterns design sketching as instrument and selected 9 patterns design sketching by 5 specialists. For corresponded with colors using of silk yarn and to combine twist silk yarn pattern design development with weaving technique apply and pattern design development with applying of structure weaving. In order to taking sketch to weaving by the random sampling from population is Community Silk- Weavers Groups in Huairat district Buriram province.The random sampling is 1 group. The weaving proceed had to progress to get the pattern design specialist selected; there are 9 patterns. In conclusion of this research 9 patterns design selected and progressed with the development step and get the products of silk loincloth (hangkrarok silk) as follow the 9 patterns design selected was 100 percent. And then the researcher process in next step was taking developed silk loincloth (hangkrarok silk) for studying the satisfaction of silk loincloth (hangkrarok silk) of Community Silk-Weavers Groups in Huairat district Buriram province. by taking a random purposive sampling there are 320 samples. To study in 3 parts as follow 1) colors 2) patterns and 3) the structure of patterns design developed silk loincloth (hangkrarok silk). The result of this research is the customers had the satisfaction in the parts of colors pattern and the structure of patterns design developed silk loincloth (hangkrarok silk) in high level. Thus the researcher recommended that having the afterward researching for the sustainable silk textile development.

The purpose of this research was for studied of The Development of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand. These Studied are explored the satisfaction to the development of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand. This research was Quasi-Experimental Research Selected among of 250 people sampling groups were Indian women or Thai women with Indian nationality who live in Bangkok by Accidental Sampling and analysis the information by SPSS computer program by a method of frequency percentage mean standard deviation and tCtest. The research result founded that the sampling group of people were married and under 30 years old who educated undergraduate degree or equal level. They were house wives with made and income 15001- 20000 per month. Their reason is appropriate and could wore them into the social occasions many else though. The results obtaining from studying the satisfaction in development of Indian womenns dresses of Punjabi style by using the hand C woven cotton fabrics from the north C eastern part of Thailand of types touching surfaces colors patterns/stripes. The total Mean as compared with the satisfaction of dresses was found as follow : Hong stripes Knid cotton fabrics had mean and its highest satisfaction being at a high level and as compared with the common data of such ; age education occupation income the satisfaction of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand such as the touching surfaces colors the different at .05 statistics level. The another satisfaction the common data of such ; age education occupation income the satisfaction of Indian Women dresses of Punjabi style made by weaving cotton fabric from the North-eastern part of Thailand such as the touching surfaces colors the different at did not different at .05 statistics level. The satisfaction is not different patterns/stripes of fabrics but age education occupation income is different.

This research aimed to study the basic recipes of making “Pla Nil Yong” were studied. The Completely Randomized Design (CRD) was used to evaluate the sensory property in overall liking the characteristic appearances color flavour taste and texture. There were used 30-testers and a 9-Point Hedonic Scale were used. The study found that the second basic recipe had the highest scores in overall satisfaction. The 3 types of heating of fish meat production used were: Steaming Pressure Cooking and Broiling. It was found that the Pressure Cooking had the highest scores of all averages. The Steaming and the Pressure Cooking made the fish fiber fluffier than the Broiling. By the color variation of finishing product was as follow: Brightness (L*) 53.91 Red (a*) 10.50 Yellow (b*) 30.25 aw 0.57. By the amount of total microorganism 2.5x102 CFU/g Yeast and Fungus <25 CFU/g Moisture 4.75% Fat 6.54% Protein 48.06% Ash 7.47% Fiber 0.54% Carbohydrate 32.64%. The study of 3-differrent-temperature of storage were 28 40 and 50 degree Celsius. In 90-day storage checking; found that all of the three variation had overall liking the characteristic appearances and color were different but flavour taste and texture were of no difference. The total amount of microorganisms: yeast and fungus were a lower standard. The production cost of Pla Nil Yong is 397.10 bahts per kilogram.

The purposes of this research were 1) the comparison of tie-dye methods; Binding technique folding technique and stitching technique and 2) three kinds of fabric dyed; cotton linen and rayon comparison and 2 pattern design groups; geometrics and naturalistic patterns. There are 8 motifs were used; quadrangle trianglecircle heart form flower leaf butterfly and worm. The research tools were used; The assessment for 15 connoisseurs (connoisseurship model). Data were analyzed by the statistical package for the social science program and using mean percentage standard deviation one-way ANOVA and chi-square.The result of the study were that binding technique had mean 4.20the second was stitching technique had mean 4.10 and the last was folding technique had 3.69. The result of the tie-dye technique suitability comparative ranking for massproduct that the best technique is binding. The second was stitching technique and the last was folding technique. In this study there were comparative in 5 parts as follows 1.tie-dye method 2. pattern design 3. colour of fabric dyed 4. overall image of fabric dyed 5. capability of techniques.Binding technique folding technique and stitching technique on Cotton were much points in tie-dye method and capability of techniques. Binding technique and stitching technique on Cotton were much points in pattern design and overall image of fabric dyed. Binding technique and stitching technique on Linen were much points in 5 parts. Folding technique on Linen were much points especially in tiedye method and capability of techniques. Binding technique and stitching technique on Rayon were much suitable in 5 parts. Folding technique on Rayon were much especial points in 5 parts except overall image of fabric dyed. Comparison of three kinds of fabric and two pattern groups were that cotton linen and rayon fabrics in geometrics and naturalistic patterns had average the best in binding technique. To compare tie-dye techniques and fabrics and pattern groups had different for some parts statistically significant at level of .05