This project were study to Nakhon Si Thammarat embossed pattern to conserve the usage of endure Thai fabric with Jacquard. The purpose of this project were to develop Nakhon Si Thammarat embossed pattern by computer program and to be woven with Jacquard ( JACQUARD) . The extent were the pattern from a woven traditional fabric with loom from Ban Noen Thammang Arts & Crafts Center at Ban Noen Thammang Mae Chao Yuhau Sub district Chian Yai District Nakhon Si Thammarat Province. This project was the qualitative. It used blend method to achieve the objective the study of traditional pattern process and the pattern was designed by a computer program (STITCH) to be able to applied to the Jacquard in order to preserve and promote the innovative usage Thai pattern design that enhanced the ability to weave faster more convenient and using only one weaver that faster than weaving with loom that had many instruction many persons and a lot of time when wove it. This would yield less. Weaving with Jacquard (JACQUARD) was woven to be more productive to be market more to reach more consumers which was conserved to be sustainable for Thai fabric. The result of study Nakhon Si Thammarat embossed pattern and Jacquard process (JACQUARD) to study Mimusops pattern 2 layers cone shaped and brought the design to come down the computer ( STITCH) by studying the patterns and characteristics of the Nakhon Si Thammarat embossed pattern to out graphs and tables were used to make cards. Then brought it to use with Jacquard. It could reduce problems in various areas that were 1. Reduced manual labour in raising heddle that took 3 people held it including weaver while Jacquard (JACQUARD) rose by heddle only one weaver. 2. Reduced time to decrease. 3. Reduce the weaving process with Jacquard ( JACQUARD) . It could be woven continuously and woven patterns could change quickly without raising the heddle or collecting again. The patterns could still preserve the original design to create the Nakhon Si Thammarat embossed pattern were beautifuleye-catching and outstanding including the Nakhon Si Thammarat embossed pattern design by computer program (STITCH) to 120 heddles and could design complex easier. All things that mentioned to help the weavers to more earn income. Consumers increasingly recognized that were the dissemination of Nakhon Si Thammarat embossed pattern to have more use and considered a sustainable conservation of this fabric.

This study aims to investigate on the adjustment of texture and indigo dye using natural substance on Sisal fibre. Temperature time period conditions of texture adjustment process and ombre dying techniques on braided Sisal fibre are used as focal factors of the study. To elaborate further the proper condition to alter braided Sisal fibre is by using softening agent and Surfactant each for 5 grams per litre at the temperature of 50 degree Celsius for 30 minutes as a result the tensile strength of the processed fibre has been reduced compared to the pre-processed ones. After the adjustment process the fabric will be dyed in natural indigo dye with 5 distinctive pigment concentrations of 20 30 40 100 and 200 grams per litre respectively. The colour fastness to washing is at good to high level while artificial light fastness is at an excellent level (level 8). The colour fastness to rubbing under dry condition of the deepest pigment (of 200 grams per litre) indigo-dyed braided Sisal fibre simmered with Sodium Hydroxide and boiled with softening agent and Surfactant is at low level and the colour fastness to rubbing under wet condition of the deepest pigment (of 200 grams per litre) indigo-dyed braided Sisal fibre simmered in Sodium Hydroxide and boiled with softening agent and Surfactant is relatively low to average. Thus it indicates that the softening agent could adjust Sisal fibre and its texture to be smoother and natural indigo dye could be adapted to dying Sisal textile as well.

This research aims To study and collect tie dye pattern. And to provide general knowledge of dyeing and textile patterns. There is no way to conduct the research. Related information in the form and method of making tie-dye process. On tie dye patterns by collecting information from documents and online media. And experimental techniques to tie fabric from the design on paper and bound pattern onto the fabric and dye. Then the pattern came prepared Knowledge Base tie dye pattern. In the form of books reports and disc CD / DVD. The results revealed that the tie-dye patterns. Appearing in the textile pattern consisting of natural geometry in depend. There are 2 types of tie-dye pattern patterns and continuous. Discontinuous pattern (pattern) Single-binding motifs. The tied pattern gnarled and Captured and tied fold stitching. Swiping stitched Other materials included in the bundle. Technical tortuous highway triangle triangle stacked square square. Type of pattern is composed of Independent and creative nature geometric patterns. stacked square with 4 slots a rectangle a triangle rocket a two-page independent. Which patterned tied each in a different pattern. Tie a knot button Before capturing Ties And other related materials patterns cannot continue as a single pattern. Tied and folding sewing swiping before the tied is a pattern that continued throughout the fabric. Which can be used for the creations a pattern on the cloth as well. This saves time in Ties pattern. Tied motifs in small quantities But when spread the cloth out of the piece. Pattern appears full fabric. Dyeing has the dye color 2-color with more than 2 colors dip-dyed by whole piece dip dyed the color level. In addition the pattern appears to products that include product type 1. home decoration 2. products clothing. The study pattern with tie-dyed textiles textile products and found that two types of usage patterns of all kinds. Depending on the designer And the purpose of the use of that product.

Mudmee silk and silk weaving are the long carried cultural wisdom heritages inherited from ancestors. Buriram is another province where weaves Thai silk especially in Na Pho district. Na Pho Silk Weaving Center (Na Pho Handicraft Center) has been known for madmee silk and silk weaving in quality standardization and popular. It is retaining traditional patterns and colors. New patterns are created but not much and not very suitable to produce various products. There is an attempt to revamp image of silk fabric and mudmee silk to raise value and use of color in universal design. The development for silk fabric designing and coloring in Na Pho received support for standardization. The design patterns has been inspired by mudmee silk’s ancient patterns Na Pho district Buriram province. The highlight of ancient patterns including Lai Khom Lai Tad Lai Song Pool Lai Khor Lai Eid Tong Lai Kra Tae Nang Tan or Lai Nak Lai Kho Pai and Lai Kho Lo (Butterfly) are applied in the process of assigning weaves/colors the size of the space and color placement for various patterns and application but it is still retaining the original pattern. Single color is applied for such patterns and become visible through its different including navy blue blue and bluepurple. Study of variation results in color fastness to washing color fastness to light color fastness to water and color fastness to perspiration of silk fabric and mudmee silk showed after dyeing. Color fastness to washing exhibited very good wash fastness level of (4-5) Color fastness to light exhibited excellent light fastness level of (5) Color fastness to perspiration (acid and alkaline) exhibited very good level of (4-5) and Color fastness of water exhibited moderate level of (4) The assessment reviews regarding patterns textures colors and products from silk fabric and mudmee silk from 20 samples of Na Pho Silk Weaving Center (Na Pho Handicraft Center) Na Pho district Buriram Province revealed that Pattern of silk fabric and mudmee silk of Na Pho Buriram province still retained pattern and exhibited excellent value of (75 percent) and good value of (25 percent). Pattern was contemporary between traditional motifs and new design exhibited excellent value of (50 percent) good value of (40 percent) and moderate value of (10 percent). Pattern was not difficult and not too easy. It was suitable to weave for silk fabric and mudmee silk exhibited excellent value of (85 percent) and good value of (15 percent). Pattern layout still retained the method of the traditional motifs exhibited excellent value of (60 percent) good value of (30 percent) and moderate value of (10 percent). Placement and spacing of patterns were balanced and not too tight exhibited excellent value of (70 percent) good value of (25 percent) and moderate value of (5 percent). The suitable of pattern layout in vertical horizontal diagonal and stripes which involved in the manufacture of textile products exhibited excellent value of (75 percent) good value of (20 percent) and moderate value of (5 percent). Color placement was harmonized and suitable for manufacture of textile products exhibited excellent value of (60 percent) good of (35 percent) and moderate value of (5 percent). Pattern become visible through its difference when dark color is applied for silk fabric and mudmee silk with exhibited excellent value of (65 percent) and good value of (35 percent). The suitable of apply single color and color which is similar to for the fashion and textile product exhibited excellent value (50 percent) good value (35 percent) and moderate value (15 percent). The application of the new pattern from the silk fabric and mudmee silk products exhibited contemporary with excellent value of (85 percent) good value of (10 percent) and moderate value of (15 percent). Bags products from using silk fabric and mudee silk maintained the same identity with excellent value of (70 percent) and good value of (30 percent). Textiles products from silk fabric and mudee silk Na Pho Buriram province exhibited excellent value of (60 percent) good value of (35 percent) and moderate value of (5 percent)

This research aims to study the wisdom on costumes of Thai-Chinese minorities in order to develop and integrate on costumes of Thai - Chinese minorities and transfer technology to target groups by training and workshop. This research is for the purpose of Research and Development. The instruments used in research were included 10 prototype costumes training assessment questionnaire regarding costumes of Thai-Chinese minorities Lao-Song or Tai Song Dam and Zhuang. The sample consisted of 100 interested people from Thai Song Dam Loincloth Weaving Group in Tambon Donmanow No.39 Moo 2 Tambon Donmanow Songpeenong district Suphanburi Province and 2 groups of 20 trainees each from Thai Song Dam group in Tambon Ban Don Amphoe U Thong Suphanburi Province and Thai Song Dam group in Tambon Bang rakam Amhoe Bang rakam Phitsanulok Province. The statistics tools used in data analyzing were frequency percentage mean and standard deviation. The research result in prototype costumes evaluation in a mixing Tai Song Dam weaving and Zhuang style found that most interested people who responded to the questionnaires were female aged 31 to 40 years employee below a Bachelors degree and having an average income 5001 to 10000 baht. These interested people had a positive attitude level in Prototype costume No.10 regarding pattern design application and the overall average were at 4.79 4.78 and 4.28 respectively. The transfer of technology evaluation regarding training workshop on costumes of Tai Song Dam and Zhuang were combined with 2 groups of 20 trainees each from Thai Song Dam group in Tambon Ban Don Amphoe U Thong Suphanburi Province and Thai Song Dam group in Tambon Bang rakam Amphoe Bang rakam Phitsanulok Province. The results showed that most respondents from Thai Song Dam group in Tambon Ban Don Amphoe U Thong Suphanburi Province were female age above 40 years weavers having a primary school certificate and having an average income below 5000 baht. Before initiating the training workshop most trainees had pattern design skills sewing skills and decorating were at moderate level. After the training workshop showed significant improvement in the high level. And most respondents from Thai Song Dam group in Tambon Bang rakam Amphoe Bang rakam Phitsanulok Province were female age above 40 years weavers having a primary school certificate and having an average income below 5000 baht. Before initiating the training workshop most trainees had pattern design skills sewing skills and decorating were at moderate level. Affter the training workshop showed significant improvement in the high level.