The objectives of this study were (1) to find out the Karen weaving in the style of Karen Tapernki Suphan Buri and (2) to study the design and color used for Karen fabric weaving. Interview was the selected instrument to find out the information relating to Karen fabric weaving. The sample was Karen weavers from Tapernki Suphan Buri. The finding illustrated that the popular patterns for weaving were “Chok” and “Kid”. Geometric figure such as “Ne-Oun- Ge” “A-Ku-Sa” “Cher-Tuk-Ke” “Cha-Mi-Ta” and “A-Kor-Tai” were the popular patterns for weaving as well. The color chosen for weaving were both synthetic color and natural color. These were the old patterns inherited by Karen. The research show the result that the sample’s demand was bag made for woman. The pattern of the weaving was inspired by the concept of Art Deco which characterized by spire decorations and furniture. The researcher applied the concept of Art deco with the Karen weaving which characterized by geometric design. By bring the color trend in year 2014 to choose the weaving tone. Dyed fabric in natural color was chosen in order to be proper with Art Deco concept. The evaluation of the sample was satisfy with Karens textile products by Karens Tepernki Suphan Buri were as follows: (1) the design of the product was 65% fitting for Art Deco concept; (2) the design of the products was 57% in vogue; (3) the color design of the products were 60% fitting; (4) the color of the products were47% conform with the color trend of year 2014; (5) woven Karen fabric was 51% fitting for accompanying with PU leather; (6) the strength of woven Karen fabric accompanied with PU leather was 39%;(7) The products was 45% proper for the purposes of using; and (8) the size of the products was 58% proper for storage.

The project of design and development of textile product using Thai Song Dam’s stitching technique at Supanburi provinces. “Nowadays it was difficult to find someone who loves weaving; however finding someone who loves stitching was more difficult. The designs of stitching pattern were altered by trend; however they still kept in their identity” Mrs. Lamduan Konthong a specialist in Thai Song Dam’s embroidering style said. According to the questionnaire regarding the requirement of the sample it showed that the sample was interested in the textile products for living room decoration such as a backrest pillow a decorating table runner and a lantern. Thai Song Dam’ stitching technique and “Kor Kood” pattern should be applied with the design of the designated products. To find the appropriate fabric for stitching the experiment was done by stitching of “Kor Kood” pattern on the following type of cotton silk linen hemp and knitted fabric. The chosen one was linen fabric because of its light weight good dimensional stability. To create the model of the products and find the appropriate pattern for stitching the pattern was designed by the concept of Art Nuvo characterized by the appearance of woman. From the questionnaire it was found that the satisfaction of the sample regarding the design of the Thai Song Dam’s stitching in textile products were as follows; 66% kept in the identity of Thai Song Dam 72% style the products of Thai Song Dam 58% Thai Song Dam style the design of the products characterized by Art Nuvo 50% suitable the composition of the pattern of the products 74% suitable the whole pattern design of the products 64% suitable the colors of silk stitching on the products 60% suitable the use of colors of the products 60% suitable the size of the products and 62% suitable for the purposes of using.

The project of design and development of textile product using wrap yarn printing with natural dyes by silk screen technique. The purpose of this study was to find out the silk screen printing technique for patterning on Ikat or Mud Mee textile. Due to the complicated Mud Mee process for patterning the design on Mud Mee textile silk screen printing was chosen because of its convenience and rapidity. Silk screen printed on warp yarn with dyed weft yarn created the plain weave pattern. Pattern design was inspired by the natural form of vortex. Such form was applied with silk screen printing technique with extract of natural dye from jackfruit heartwood. The research showed that the product interested the sample was home textile product by using for bedroom which designed using home textile design principle. Three tone of color were chosen for warp yarn by screen printing technique such as red colour from lac blue colour from natural indigo and yellow colour from jackfruit heartwood . Weft yarn were dyed with lac and natural indigo using cationic agent. The cationic agent using before mordanting along with dying by 5 g/l aluminum potassium sulfate (alum) which is the best result because the outcome colors were intense and bright like vermilion and natural indigo. The color extracted from jackfruit heartwood was used for silk screen printing process. Color extracted from jackfruit heartwoodwas in the form of powder color integrated with 4% sodium alginate. The viscosity was optimize for printing. Printed warp yarn was dried at 120 °C. Weaving in plain weave pattern which created the strength structure of textile. Mordants with alum showed bright and intense color. The fastness tests were at good to excellent level for producing home textile product for bedroom application. From the questionnaire it was found that the satisfaction of the sample were as follows 54% printing fabric by printing of warp yarn is similar to Mud Mee weaving 58% textile made by printed warp yarn showed the identity of Thai color tone using for printing 80% weaving pattern design inspired by the form of vortex was suitable 84 % plain textile was suitable for weaving in the form of vortex 64 % the composition of the whole pattern of the products was suitable 86% the color of the pattern was suitable 70% the color of the weft yarn was suitable with the color of the pattern 76 % the size of the products was fitting and 92 % the products were suitable for the purpose of using.