The objectives of this research of 1) to develop weaving Indigo-Dyed mudmee cotton pattern with tricks Tessellation 2) to design special occasion dresses 3) to study the satisfactions of women in Bangkok with special occasion dresses by using weaving Indigo-Dyed mudmee cotton pattern with tricks Tessellation. Actions are carried out by studying concept from tricks Tessellation in order to design mudmee patterns in 3 patterns consisting triangle pattern square pattern and hexagon pattern and take them to natural indigo dye. Then woven fabrics for cutting special occasion dresses consisting cocktail dress formal evening dresses and informal evening dresses in number of 9 models. To study the satisfactions of women’s work in the age of 25-35 years old in Bangkok in number of 399 persons. Instruments for using are Questionnaires data analysis statistics percentage average and standard deviation The result found that the most of the samples reply to the questionnaires are in the ages ranging from 25-35 years being single working in private business enterprises earning from 15000 baht to 25000 baht per month holding bachelor degree being used or buy clothing from weaving Indigo-Dyed mudmee cotton. The points on the consideration for deciding to buy dresses are modernity pattern and the beauty. The analysis statistics with the special occasion dress found on the high level of satisfaction in every special occasion dress (average 4.08) in order to the highest level of satisfaction followed by 3 patterns. The first is the square pattern cocktail dress (average 4.22) the second are triangle pattern of the formal evening dress and the informal evening dress (average 4.15 equal)

The objectives of the research ancient woven design of Laocrung Baan Kokemor Uthai Thani province to study and collect ancient woven designs of Laocrung to preserve knowledge about woven design and to conserve the ancient woven design of Laocrung Baan Kokemor in view of their indigenous knowledge about weaving particularly identity in color and weaving techniques which show off the charming customs traditions cultures and belief reflected in Laocrung. This research aimed to study phasin of more fabrics than 50 years and present pattern by pattern comparisons to effect conservation and maintain database of Laocrung Baan Kokemor. The study found that Phasin ancient woven design of laocrung Baan Kokemor is unique in three identities: 1) the Nature of Phasin can be divided into four types--sinmeeta sinmeenoi whole sin and sipsiw pattern; 2) the color scheme is always in red lac sin; and 3) the color marking is in the mudmee pattern called “tamtakor”. Phasin weave patterns were found mudmee pattern such as khor luang-noi luang-yai ta-pho hongse nark khor-rakhung mee-luangnoi khun-chung mee-tapao nak-kad klong mee-tayai nak song hua lao dan noi nok khor kai klong kee kab thong punchung sumroaj huatud sumroaj hua laem lai khorkhue khorging and tapaokaew; jog patterns such as a-ae khonglueng hongse luk kruengplong (striped mini employed in all) tuay khorkumsorn khorkumlek korkhuenoi khorbuay dokkaew khorkhueyai khunrom and jog ueng-peek-kai; and khid patterns such as khidsiw and mae rod.

งานวิจัยฉบับนี้มีวัตถุประสงค์เพื่อการออกแบบลวดลายผ้าทอแบบร่วมสมัยสาหรับการประยุกต์ใช้กับผลิตภัณฑ์เคหะสิ่งทอ ชุมชนทอผ้าวัดไผ่หูช้าง อำเภอบางเลน จังหวัดนครปฐม ที่สอดคล้องกับภูมิปัญญา และศักยภาพทางการผลิตของชุมชน ซึ่งประชากรกลุ่มตัวอย่างในงานวิจัยเรื่องนี้คือ ชุมชนทอผ้าวัดไผ่หูช้าง อำเภอบางเลน จังหวัดนครปฐม ผลการวิจัยเรื่องนี้พบว่า ประชากรส่วนใหญ่ประกอบอาชีพเกษตรกรรมเป็นอาชีพหลัก และทอผ้า พื้นเมืองเป็นอาชีพรอง กลุ่มชุมชนทอผ้าวัดไผ่หูช้าง มีความต้องการพัฒนารูปแบบตามแนวคิดลวดลายผ้าทอแบบร่วมสมัย ผู้วิจัยได้ใช้วิธีการวิจัยเชิงปฏิบัติการแบบมีส่วนร่วมโดยการแลกเปลี่ยนความคิดเห็นปฏิบัติงานร่วมกันระหว่างกลุ่มทอผ้ากับผู้วิจัยเพื่อส่งผลให้เกิดการวิเคราะห์ปัญหาและแสวงหาแนวทางในการแก้ปัญหา ซึ่งพบว่าลวดลายผ้าทอแบบร่วมสมัย ต้องมีรูปแบบที่ผลิตง่ายไม่ซับซ้อน มีลักษณะการทอผ้า เป็นลายขัดที่เหมาะสมกับการทอผ้าพื้นบ้านของชุมชน และบ่งบอกถึงเอกลักษณ์ของชุมชน ลักษณะลวดลายของผ้าทอใช้แนวคิดการออกแบบลวดลายเน้นแนวคิดด้านการใช้ชีวิต หรือถิ่น กำเนิดของรากเหง้าชุมชน ประกอบไปด้วย ลวดลายเฉียง ลวดลายเกร็ดปลา ลวดลายดาว ลวดลายน้า ลวดลายภูเขา โดยเน้นเอกลักษณ์ที่เด่นของผ้า “ลายแตงโม” ของกลุ่มทอผ้าพื้นเมืองตำบลไผ่หูช้าง ในลักษณะการมัดหมี่ โดยการมัดด้ายพุ่งเพื่อสร้างช่วงของสีต่างๆให้เกิดขึ้นในเส้นด้ายพุ่ง โดยใช้สีดาหรือสีกรมท่า เป็นสีหลักในการออกแบบลวดลาย

The objective of this research is 1) to develop Phajok designs by computer sewing machine 2) to study the opinions of consumers towards Phajok designs which have been developed by way of computer sewing machine and 3) to study the satisfactions of consumers towards lady hand bag products with Phajok designs developed by way of computer sewing machine. Sampling groups are 400 ladies in Bangkok Metropolis and its perimeter who are interested in Thai fabrics. Tools used are Questionnaires and 15 models of lady hand bag product prototype; data analysis by using statistics on percentage mean and standard deviation with the actions by conducting the study on the original 15 Jok Designs and then developing the sewing by computer on 3 designs for decorations on lady hand bags in 5 different designing models whereby 15 developed modeling bags are obtained. Result of the research finds that most of the consumers are 41 years old and over; their educations are in Bachelor Degree level or its equivalency; their marital status are married; occupations as the private enterprise staffs earning incomes ranging from 15001 Baht to 20000 Baht and buying Thai clothing goods from tourist attraction places; reasons for buying are to take them for giving as souvenirs and have ever bought Phajok products; thing for consideration in buying Phajok is the designs; Phajok are utilized in making dresses or decorating the dresses; interested in Phajok designs developed by computer sewing machine and are of the opinions Phajok can be used as the products in dress decorating. On the selections in buying the lady hand bangs consumers are found to consider the aspect of the model with the likes on the decorations with the designs sewn by silk threads and are of the opinions that the model of the lady hand bags decorated with Phajok designs developed by way of computer sewing machine is suitable. Result of the analysis on the satisfactions of the consumers towards lady hand bags sewn with Phajok designs developed by way of computer sewing machine of all models are in high level.

The aims of this study are to 1.) develop a new woven Mudmee pattern which inspired by optical art integrated with the silhouette of Prasat Si Khoraphum in Surin province 2.) use the developed Mudmee pattern to improve clothing design influenced from 1960s fashion 3.) test the satisfaction level of the finished Mudmee clothes from the sample group. There are 7 textiles professionals including pattern designers textile artists Mudmee textile specialists and 5 fashion designers as supervisors in screening the patterns and designs. The sample group is selected from the staffs who work in Rajaphat Surindra University and Rajamangala Northeast (Surin Campus). The tool in this research are the fabric pattern sketches inspired by optical art integrated with the silhouette of Prasat Si Khoraphum the 1960 fashion clothing design sketches and the satisfaction survey. The satistical package for the social science program was employed fro mean and percentage. This study found that the most selected designs from 7 textiles professionals were Pra Sart Moom Soong 1 pattern Nammatam1pattern and Rekhakanit 4 pattern. There were 9 jacket sketches that had been selected. The level of satisfaction on the clothing design from 1960 era of 213 women staff who work in Rajabhat Surindra University and Rajamangala Northeast University (Surin Campus) showed that the Pra Sart Moom Soong 1 pattern gained the highest level of satisfaction (4.78) The Rekhakanit 4 pattern was the most aesthetics pattern (4.70). Finally the sample group satisfied the color and pattern of Nammatam1 the most (4.73). In Chon-Phoa group the most aesthetic jacket patterns were Pra Sart Moom Soong 1 (4.67) and Nammatam1 (4.70). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.74). In the uniform group the most aesthetic 1960 jackets pattern were Pra Sart Moom Soong 1 (4.74) and Nammatam1 (4.71). While the Rekhakanit 4 pattern appeared to has the highest level of correlation between pattern and clothing design (4.73). In Art and Fashion group highest level of correlation between pattern and clothing designs for each pattern were Pra Sart Moom Soong 1 pattern(4.67) Rekhakanit 4 pattern (4.69) and Nammatam1 (4.70).