The costume designer has been inspired by the ladies of the camera design principles Kaleidoscope. Objective To study the pattern Kaleidoscope Ladies Clothes Ready-to-wear used as inspiration in designing clothes. By incorporating the concept of fashion design to achieve an attractive design for ages. Study. And analyze data related to the Kaleidoscope pattern is in the database to create a design inspired clothing Ready-to- wear. Tools used in the study is a descriptive analysis. Dead Lake is analyzed. Divided by the second analysis focusing on the physical characteristics of the Kaleidoscope pattern. Patterned and structured format. To be used as database design clothes Ready-to-Wear. The study resulted in ladies clothing inspired by the patterns of Kaleidoscope. The study design and data analysis related to Kaleidoscope. In terms of the pattern of Kaleidoscope. Structure patterns and forms to be used in clothing design Ready-to-wear a concept in clothing design. By incorporating the concept of fashion design.

The purpose of the project is to study and design a collection which bring the idea from dressing of Cleo Pathra in a movie named “Cleo Pathra” 1963 to applied for create outfits that wearable in daily life. By brought an identity of the way she wears the outfit in the movie. The result of study divided into 2 sections a form of dressing and color and technique. Was found that most of the outfit is rather simply fit and also techniques . Therefore this collection was brought those ideas to created and developed into ultramodern form. According to the result of studied and information about design and women wear to analyze the way to solve a problem. I density and obviously style fit with personality and wearable. Which emphasizing the adjustment to create a new form and the principle is simplicity style to designed to correspond with the idea. In order this study provides the fascinating and up- to-date dresses.

This study aims to examine meanings and compare emotional words appeared in entertainment magazines. The study was carried out by synthesizing the content according to a definition framework on the meanings of emotional words by Rungthiwa Chatthanrasmi. That can be classified into 3 categories; emotional words expressing emotions and feelings of the speakers emotional words expressing desire and demand of the speakers and emotional words expressing perception and thought of the speakers. Data collected from movie magazines issued 914 year 9 Bang Ra Chan and issued 998 year 9 Wi Marn Mek Khala. The results found that there were 9 emotional words in Bang Ra Chan that expressed the speakers’ feelings; the emotions of dissatisfied surprised suspicious or inquiring loving frightened pitying annoying insulting and indignant. The results showed 18 emotional words in Wi Marn Mek Khala; frightened sarcastic surprised excited disliked dissatisfied suspicious or inquiring annoying blundering appreciated delightful discouraged indignant pitying distressed teasing being at ease and feeling sorry for the loss. Moreover there were the same emotional words appeared in both Bang Ra Chan and in Wi Marn Mek Khala expressing more than one meanings for example “Tho!!” (pitying annoying and frightened). There were also the emotional words used to express desire and demand of the speakers in Bang Ra Chan and Wi Marn Mek Khala that divided into 3 aspects. The first one was the word “Aow” in Bang Ra Chan and the word “Hei” in Wi Marn Mek Khala. The second one was the words that expressed getting attention the word “Hei” in Bang Ra Chan and the words “Chuay Duay” “Ah Ham” “Hei” in Wi Marn Mek Khala. The third one was the words expressing argument of the speakers as the followings “Aao” in Bang Ra Chan the words “Wei” “Aoi” “Hei” in Wi Marn Mek Khala. Also there were the same emotional words appeared in both Bang Ra Chan and in Wi Marn Mek Khala that conveyed more than one meanings on desire or demand of the speakers for example “Hei” expressing desire or demand getting attention and argument of the speakers. There were the same use and different use of the emotional words that expressed perception or thought of the speakers. The word that expressed the speakers’ perception in Bang Ra Chan was “Er”. The words that expressed the speakers’ perception in Wi Marn Mek Khala were “Aor” “Hm” “Um” “Er”. They both used the same emotional words “Er”.

The objective of this fashion thesis was to study womens clothing design in party wear style inspired by Thai Lacquer Art (Lai Rod Nam) in Ayutthaya era. The outstanding points of Ayutthaya era’s Lacquer Art: appearance and pattern of lacquer decorating Tripitaka cabinet were applied in connection to Khon costumes to create and design womens clothing in elegant and tasteful party wear style. The instruments included Ayutthaya era’s Lacquer Art analysis form consisting of layout and pattern placement and color use Khon costumes analysis form consisting of costumes layout focusing on physical nature and overall work analysis. The results of this study showed as follows. The author applied Thai Lacquer Art pattern decorating Tripitaka cabinet in Ayutthaya era including Kanok Pleaw Kanok Ruang Khao Pun Pruksa and pattern in animal figures to redesign and reorganize the work. Digital printing technique was use to press the pattern on the fabric to be applied to Khon costumes structure. This study focused on the design and development of clothing that is modern while remains the identity of Thai Lacquer Art.