The purposes of Motifs Development of Chok Tai-Yuan Fabrics for Fashion Design are to develop the Tai-Yuan Jok fabric’s patterns in Ratchaburi for fashion designing; and to create the patterns that can be applied for men and women apparel designing.The study aims to develop the Tai-Yuan Jok fabric’s patterns in Ratchaburi province by applying the unique pattern for the design; and to re-design the pattern by using the principles of pattern design to be suit with men and women apparel designing. Researchers selected the descriptive analysis method with the statistical data for analyzing the data of Tai-Yuan Jok fabric’s patterns. The collected data were all applied in developing the styles of Tai-Yuan Jok fabric’s patterns in Ratchaburi. Also the authors has surveyed the satisfaction of 100 samples for the work pieces of developing the Tai- Yuan Jok fabric’s patterns for fashion designing. The survey is to conclude the satisfaction for the developed patterns’ styles. The results showed that nowadays the Tai-Yuan Jok fabrics in Ratchaburi are consisted of patterns applied from the weavers by using their experiences in weaving the Jok fabrics. Thus the patterns have been combined with the traditional styles and the applied ones which are done in accordance with the age.Those patterns have different composition that depends on the weavers’ desire. Patterns can be categorized in three groups: 1. traditional pattern; 2. the combination of traditional pattern and the applied one; and 3. the applied pattern. So this study has selected the feature of traditional pattern and the dominant feature of applied pattern to be the concepts in developing the Tai-Yuan Jok fabric’s patterns for fashion designing for 4 patterns. The results of the survey of the satisfaction from the samples found that they are content with the fabric’s patterns development. Also they think that this development of the patterns will maintain the unique of Tai-Yuan Jok fabric’s patterns in Ratchaburi province and they will be able to apply these concepts of fabric’s pattern developing with the support of textile production for fashion design.

Mudmee silk and silk weaving are the long carried cultural wisdom heritages inherited from ancestors. Buriram is another province where weaves Thai silk especially in Na Pho district. Na Pho Silk Weaving Center (Na Pho Handicraft Center) has been known for madmee silk and silk weaving in quality standardization and popular. It is retaining traditional patterns and colors. New patterns are created but not much and not very suitable to produce various products. There is an attempt to revamp image of silk fabric and mudmee silk to raise value and use of color in universal design. The development for silk fabric designing and coloring in Na Pho received support for standardization. The design patterns has been inspired by mudmee silk’s ancient patterns Na Pho district Buriram province. The highlight of ancient patterns including Lai Khom Lai Tad Lai Song Pool Lai Khor Lai Eid Tong Lai Kra Tae Nang Tan or Lai Nak Lai Kho Pai and Lai Kho Lo (Butterfly) are applied in the process of assigning weaves/colors the size of the space and color placement for various patterns and application but it is still retaining the original pattern. Single color is applied for such patterns and become visible through its different including navy blue blue and bluepurple. Study of variation results in color fastness to washing color fastness to light color fastness to water and color fastness to perspiration of silk fabric and mudmee silk showed after dyeing. Color fastness to washing exhibited very good wash fastness level of (4-5) Color fastness to light exhibited excellent light fastness level of (5) Color fastness to perspiration (acid and alkaline) exhibited very good level of (4-5) and Color fastness of water exhibited moderate level of (4) The assessment reviews regarding patterns textures colors and products from silk fabric and mudmee silk from 20 samples of Na Pho Silk Weaving Center (Na Pho Handicraft Center) Na Pho district Buriram Province revealed that Pattern of silk fabric and mudmee silk of Na Pho Buriram province still retained pattern and exhibited excellent value of (75 percent) and good value of (25 percent). Pattern was contemporary between traditional motifs and new design exhibited excellent value of (50 percent) good value of (40 percent) and moderate value of (10 percent). Pattern was not difficult and not too easy. It was suitable to weave for silk fabric and mudmee silk exhibited excellent value of (85 percent) and good value of (15 percent). Pattern layout still retained the method of the traditional motifs exhibited excellent value of (60 percent) good value of (30 percent) and moderate value of (10 percent). Placement and spacing of patterns were balanced and not too tight exhibited excellent value of (70 percent) good value of (25 percent) and moderate value of (5 percent). The suitable of pattern layout in vertical horizontal diagonal and stripes which involved in the manufacture of textile products exhibited excellent value of (75 percent) good value of (20 percent) and moderate value of (5 percent). Color placement was harmonized and suitable for manufacture of textile products exhibited excellent value of (60 percent) good of (35 percent) and moderate value of (5 percent). Pattern become visible through its difference when dark color is applied for silk fabric and mudmee silk with exhibited excellent value of (65 percent) and good value of (35 percent). The suitable of apply single color and color which is similar to for the fashion and textile product exhibited excellent value (50 percent) good value (35 percent) and moderate value (15 percent). The application of the new pattern from the silk fabric and mudmee silk products exhibited contemporary with excellent value of (85 percent) good value of (10 percent) and moderate value of (15 percent). Bags products from using silk fabric and mudee silk maintained the same identity with excellent value of (70 percent) and good value of (30 percent). Textiles products from silk fabric and mudee silk Na Pho Buriram province exhibited excellent value of (60 percent) good value of (35 percent) and moderate value of (5 percent)

The purpose of the special project education about the mobiles applied from Manora-petterned beads is to study the procession of making the hanging made from the Manorah beads pattern and study the satisfaction of the target groupson the mobiles applied from Manora-petterned beads.The students who studied about the special project has studied andgathers relevant information all information from 3 stylesto present to 5 expertsand let them choose the best one with their suggestions to improve the draft to create a set of the mobiles applied from Manora-petterned beads and bring this creation to survey the satisfaction to the target groups (50 persons) and use this information to analyze by using the freq the percentage the average and found that. 1. Most experts chose the draft of style B with the reason that it has clear fine and beautiful pattern and most of the expertschose colour tone with the reason that the colour tone green colour is in cool tone and it looked fresh and bright outstanding and beautiful. 2. The satisfaction of the targets in the product side found that the satisfaction of the beauty is in the most level. The average is 4 .7 6 . In the material side the satisfaction in the suitability of the material is in the most level. The average is 4.54. In the using benefit the satisfaction in using for Instruction media is in the most level. The average is 4.46. And the satisfaction in distribution by the web site is in the most level. The average is 4.60

The objectives of this study were (1) to find out the Karen weaving in the style of Karen Tapernki Suphan Buri and (2) to study the design and color used for Karen fabric weaving. Interview was the selected instrument to find out the information relating to Karen fabric weaving. The sample was Karen weavers from Tapernki Suphan Buri. The finding illustrated that the popular patterns for weaving were “Chok” and “Kid”. Geometric figure such as “Ne-Oun- Ge” “A-Ku-Sa” “Cher-Tuk-Ke” “Cha-Mi-Ta” and “A-Kor-Tai” were the popular patterns for weaving as well. The color chosen for weaving were both synthetic color and natural color. These were the old patterns inherited by Karen. The research show the result that the sample’s demand was bag made for woman. The pattern of the weaving was inspired by the concept of Art Deco which characterized by spire decorations and furniture. The researcher applied the concept of Art deco with the Karen weaving which characterized by geometric design. By bring the color trend in year 2014 to choose the weaving tone. Dyed fabric in natural color was chosen in order to be proper with Art Deco concept. The evaluation of the sample was satisfy with Karens textile products by Karens Tepernki Suphan Buri were as follows: (1) the design of the product was 65% fitting for Art Deco concept; (2) the design of the products was 57% in vogue; (3) the color design of the products were 60% fitting; (4) the color of the products were47% conform with the color trend of year 2014; (5) woven Karen fabric was 51% fitting for accompanying with PU leather; (6) the strength of woven Karen fabric accompanied with PU leather was 39%;(7) The products was 45% proper for the purposes of using; and (8) the size of the products was 58% proper for storage.

The costume designer has been inspired by the ladies of the camera design principles Kaleidoscope. Objective To study the pattern Kaleidoscope Ladies Clothes Ready-to-wear used as inspiration in designing clothes. By incorporating the concept of fashion design to achieve an attractive design for ages. Study. And analyze data related to the Kaleidoscope pattern is in the database to create a design inspired clothing Ready-to- wear. Tools used in the study is a descriptive analysis. Dead Lake is analyzed. Divided by the second analysis focusing on the physical characteristics of the Kaleidoscope pattern. Patterned and structured format. To be used as database design clothes Ready-to-Wear. The study resulted in ladies clothing inspired by the patterns of Kaleidoscope. The study design and data analysis related to Kaleidoscope. In terms of the pattern of Kaleidoscope. Structure patterns and forms to be used in clothing design Ready-to-wear a concept in clothing design. By incorporating the concept of fashion design.