Promotion of handicrafts in the field of natural dyes in the country. Increase the potential of the community and use the strengths of the cultural community. way of life and wisdom by finding ways to develop textile products by using creative textile innovations based on local wisdom in sustainable community areas To add added value to products in the ECO PRODUCT and ZERO WASTE product groups from the aforementioned concept To conserve plant genetics that exist throughout the country. The researcher therefore studied the process of dyeing fabrics by natural methods. By taking natural ingredients that are locally available and transforming them into environmentally friendly home products. This research is to study the natural dyeing of cotton fabric from Kasalong core. have a purpose Study on the effect of dyeing and the use of adjunctive agents in natural dyeing from Kasalong kernels. To develop dyed fabric products from Kasalong core and to pass on the knowledge and technology of developing dyed fabric products from Kasalong core for the general public. The result of dyeing cotton with natural dyes from Kasalong core. Four types of adhesives were used at a concentration of 20 percent as tamarind juice lime juice lime juice ash water and to test the washing fastness and sunlight resistance with the AATCC standard. The results can be summarized as follows. 1. The results of the study found that from the extraction of color from Kasalong kernels and then filtered with cloth. The color water extracted from Kasalong essence is brown. and when left for 24 hours the water color is dark brown and in this research using hot dyeing methods. 2. The result of dyeing cotton with natural dyes from Kasalong core without mordant using was found to yellow-brown but after washing the color intensity on the fabric fades slightly. 3. The result of dyeing cotton with natural color from Kasalong core. It was found that after washing the color intensity on the fabric was moderately fading. 4. The color measurement L* a* b* found that when the dye was measured in the CIELab system L* = 26.81 a* = 33.33 b* = 45.69 dL = 0.36 and dE*ab = 0.85 water. The resulting color from Kasalong will be reddish yellow. 5. Make the research prototypes as 10 of bag products. 6. Conducting technology transfer by organizing workshops dyeing course and sewing durating of the workshop for students and the general public was 1 day. Most of the participants had the highest level of satisfaction in all questions.

This research 1] is to study the identity of Nora cultural art for developing the product values and promoting the products to international level and 2] to synthesize and develop the prototype pattern of the products by studying the material relationship between handicraft context and community and Nora cultural art. The research tools are questionnaire observation survey and focus group interview of total 150 people and conducting satisfaction surveys of 420 people such as people in Klong-Dan community tourists specialists and designers before designing the draft pattern by 1] evaluating purchasing factors of souvenir from Klong-Dan community identity in Songkhla province and 2] satisfaction level of graphic pattern and summarize using percentage and standard deviation as follow; The study has founded that 1] the most popular handicraft among tourists is the products from sedge (Krajood) weaving. The weaving processing principally concerns utility which can be made into cloths and costume products. The natural processing from sedge (Krajood) together with Nora cultural identity will made it well known among tourists in appearances colorful dressing from other materials mixing design and 2] the character of the pattern on the products from the satisfaction survey shows that the design of the pattern Nora-6 has total average of 4.25 the detail of graphic design has total average of 4.33 (SD =0.77) the pantone using in the handicraft has total average of 4.25 (SD=0.77) the handicraft detail has total average of 4.27 (SD = 0.74) the relationship and the importance of mind has total average of 4.25 (SD = 0.71) the product having symbols indicating communication elements has total average of 4.21 (SD = 0.76) and the pattern suitability has total average of 4.18 (SD = 0.72). The result of the pattern development will be another identity storytelling and the social context in the present together with the development of the local product could continue to commercial world

This project was to design and development of indigo dyeing bag for men. The objective were to study the pattern and type of bag in order to get a new one and allow consumers to choose more that it were a folk wisdom that had a long time. There was an own identity and the villagers occupation. Setting it inspired in the pattern design from the overlapping curves of mountains. The color tones used in the set of indigo dyed bag design were to use cool tones. The materials used to make the bag consist of indigo dyed fabric genuine bull leather zipper mesh fabric adhesive fabric elastic magnetic button lining and pincer string bag lock. The bag strap used nylon string fabric to strength. The opinion assessment to the backpacks chest bag waist bag and belt bag from the indigo dyed fabric in Sakon Nakhon province. The sample group responded the following questionnaire: Bringing the indigo fabric to make the suitable product was the most 59 percent. The suitable materials were the most 42 percent. The suitable product shape was the most 55 percent. The suitable colors were the most 64 percent. The durability usage was the most 52 percent

The purposes of Motifs Development of Chok Tai-Yuan Fabrics for Fashion Design are to develop the Tai-Yuan Jok fabric’s patterns in Ratchaburi for fashion designing; and to create the patterns that can be applied for men and women apparel designing.The study aims to develop the Tai-Yuan Jok fabric’s patterns in Ratchaburi province by applying the unique pattern for the design; and to re-design the pattern by using the principles of pattern design to be suit with men and women apparel designing. Researchers selected the descriptive analysis method with the statistical data for analyzing the data of Tai-Yuan Jok fabric’s patterns. The collected data were all applied in developing the styles of Tai-Yuan Jok fabric’s patterns in Ratchaburi. Also the authors has surveyed the satisfaction of 100 samples for the work pieces of developing the Tai- Yuan Jok fabric’s patterns for fashion designing. The survey is to conclude the satisfaction for the developed patterns’ styles. The results showed that nowadays the Tai-Yuan Jok fabrics in Ratchaburi are consisted of patterns applied from the weavers by using their experiences in weaving the Jok fabrics. Thus the patterns have been combined with the traditional styles and the applied ones which are done in accordance with the age.Those patterns have different composition that depends on the weavers’ desire. Patterns can be categorized in three groups: 1. traditional pattern; 2. the combination of traditional pattern and the applied one; and 3. the applied pattern. So this study has selected the feature of traditional pattern and the dominant feature of applied pattern to be the concepts in developing the Tai-Yuan Jok fabric’s patterns for fashion designing for 4 patterns. The results of the survey of the satisfaction from the samples found that they are content with the fabric’s patterns development. Also they think that this development of the patterns will maintain the unique of Tai-Yuan Jok fabric’s patterns in Ratchaburi province and they will be able to apply these concepts of fabric’s pattern developing with the support of textile production for fashion design.

The objective of this research is to preparation of dye powder from natural dyes. The conditions of preparation of dye powder and properties of natural dye powder were studied. The natural dyes were used in this research containing of Lac Ebony heart wood Sappan heart wood Turmeric and dried Butterfly pea. The natural dyes powder were prepared by three methods; oven drying salt adsorption and salting out. The natural dyes powder were dyed on silk fabric and then characterized by colour strength (K/S) washing fastness and light fastness. The results showed that the dye powder from dried Butterfly pea could not be prepared by dye powder preparation used in this research because of the dye power was not stable. The dyes powder from Lac Ebony heart wood Sappan heart wood and Turmeric were prepared by all three methods. The oven drying and salting out methods showed higher K/S than salt adsorption method. And the K/S of dyes powder from oven drying and salting out methods were not significant. In the oven drying method showed good K/S on silk fabric dyed from the turmeric dye powder. And salting out method showed good K/S on silk fabrics dyed from Lac Ebony heart wood and Sappan heart wood dyes powder. The different dye powder preparation methods did not effect on the colour appearance. The washing fastness of dyed silk fabric from different preparation methods were not significant. The dye powder of Lac Ebony heart wood Sappan heart wood showed good light fastness and the Turmeric dye powder showed poor light fastness on silk fabric.