This research is a qualitative research. The objective is to study and analyze information about The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth including the changes and the existence of the Thakok Thai Sarong Saraburi in the present (2017 - 2018). Using the concept of social and cultural change and the theory of globalization concepts for analysis. Research area is Mueang District and Sao Hai District Saraburi. The research population is Weaving sarongs Sarong user and local sages. Analytical study issues are Clothing culture in Thailand Saraburi Promotion from the government Pha Sin Tin Jok (Traditionally) Sarong Thai Yuan Saraburi style and pattern weavers and wisdom transfer. The research results are Saraburi is a province where Thai Yuan people from Chiang Saen Chiang Rai province Settled in the reign of King Rama I of Rattanakosin Due to war and have inherited the lineage until now. In Sao Hai District Saraburi is the district where most Thai people live and has a unique Lanna cultural foundation Whether language lifestyle food and beliefs In the folk textile Has a unique pattern that has been passed down for over 200 years. Clothing culture in Thailand Saraburi There is also a conservative costume. Especially on special occasions The pattern of Pha Sin Tin Jok (Traditionally Sarong )Thai Yuan Saraburi cloth remains the same style. From the era that migrated from Chiang Saen In addition there are other sarong fabrics that are used in everyday life namely woven sarong muk kai and kan. There is a succession of sarong weaving wisdom from the generation to the present most of which are woven with flowers. In the ancient pattern there is a conservation of ancient Pha Sin Tin Jok Thai Yuan Saraburi by re-woven according to the original pattern from the ancient Thai sarong that remains in Saraburi. Pha Sin Tin Jok Thai Yuan Saraburi has been promoted by various government agencies. There may be changes in the times that have changed with the adaptation to various product designs or the application of sarong work to the era. The existence of Thai people in Saraburi has seen the value of wisdom in their ethnicity. Together with promotion from various sectors That encourages Thai people to be proud Inspired in the conservation of Thai culture and arts. The establishment of Thai Folk Culture Hall in Saraburi The new weaving of the Sarawak sarong from the ancient Pha Sin Tin Jok Thai Yuan Saraburi style Including the floating market That shows the existence of the Thai culture of Saraburi living.

The objectives of the research ancient woven design of Laocrung Baan Kokemor Uthai Thani province to study and collect ancient woven designs of Laocrung to preserve knowledge about woven design and to conserve the ancient woven design of Laocrung Baan Kokemor in view of their indigenous knowledge about weaving particularly identity in color and weaving techniques which show off the charming customs traditions cultures and belief reflected in Laocrung. This research aimed to study phasin of more fabrics than 50 years and present pattern by pattern comparisons to effect conservation and maintain database of Laocrung Baan Kokemor. The study found that Phasin ancient woven design of laocrung Baan Kokemor is unique in three identities: 1) the Nature of Phasin can be divided into four types--sinmeeta sinmeenoi whole sin and sipsiw pattern; 2) the color scheme is always in red lac sin; and 3) the color marking is in the mudmee pattern called “tamtakor”. Phasin weave patterns were found mudmee pattern such as khor luang-noi luang-yai ta-pho hongse nark khor-rakhung mee-luangnoi khun-chung mee-tapao nak-kad klong mee-tayai nak song hua lao dan noi nok khor kai klong kee kab thong punchung sumroaj huatud sumroaj hua laem lai khorkhue khorging and tapaokaew; jog patterns such as a-ae khonglueng hongse luk kruengplong (striped mini employed in all) tuay khorkumsorn khorkumlek korkhuenoi khorbuay dokkaew khorkhueyai khunrom and jog ueng-peek-kai; and khid patterns such as khidsiw and mae rod.