Tiaxial hand waving is craftsmanship for a long history and widespread utilization. This research aims to devise a new triaxial weaving technique with a modular hexagonal triaxial weaving frame. The main structure of the modular hexagonal triaxial weaving frame is as follows: The frame is an equilateral hexagon with a side length of 50 centimeters the inner frame is a hexagonal steel rigid frame the outer frame is wood can be disassembled to the steel frame. There are two types of outer frames the first for weaving with yarn. The wood is grooved into a V-shape with 15 grooves per 10 centimeters. The second type is for weaving with stripes. The wood is flattened 7 grooves per 10 centimeters. Triaxial weaving tests with a modular hexagonal triaxial weaving frame showed that 1) triaxial fabric with basic pattern are characterized by three directions (triaxial) of yarn intersecting at 60 degree angles amounting to 15×15×15 strands per 10 entimeters This creates an open structure. 2) triaxial fabric with dice pattern modified from plain weave with two warp set (the Y and Z warp sets) and one weft set(the X weft set) amounting to 16×17×27 strands per length of 10 centimeters. 3) modified from twill weave with three sets of yarn amounting to 16×16×27 strands per length of 10 centimeters. It can be seen that modular hexagonal triaxial weaving frame as a laboursaving device enables weaver to employ complex weaving pattern in their triaxial fabric and showcase many creative possibilities that move away from the conventional fabric.

The project of design and development of textile product using Thai Song Dam’s stitching technique at Supanburi provinces. “Nowadays it was difficult to find someone who loves weaving; however finding someone who loves stitching was more difficult. The designs of stitching pattern were altered by trend; however they still kept in their identity” Mrs. Lamduan Konthong a specialist in Thai Song Dam’s embroidering style said. According to the questionnaire regarding the requirement of the sample it showed that the sample was interested in the textile products for living room decoration such as a backrest pillow a decorating table runner and a lantern. Thai Song Dam’ stitching technique and “Kor Kood” pattern should be applied with the design of the designated products. To find the appropriate fabric for stitching the experiment was done by stitching of “Kor Kood” pattern on the following type of cotton silk linen hemp and knitted fabric. The chosen one was linen fabric because of its light weight good dimensional stability. To create the model of the products and find the appropriate pattern for stitching the pattern was designed by the concept of Art Nuvo characterized by the appearance of woman. From the questionnaire it was found that the satisfaction of the sample regarding the design of the Thai Song Dam’s stitching in textile products were as follows; 66% kept in the identity of Thai Song Dam 72% style the products of Thai Song Dam 58% Thai Song Dam style the design of the products characterized by Art Nuvo 50% suitable the composition of the pattern of the products 74% suitable the whole pattern design of the products 64% suitable the colors of silk stitching on the products 60% suitable the use of colors of the products 60% suitable the size of the products and 62% suitable for the purposes of using.