Development of local product made from Pahkanmah based on integration of local wisdom and principle of fashion design to promote community career : A case study of Wanon-nivat district Sakon-Nakron province. The aim are Promoted the concept of product development from Pahkanmah development a model of clothing from Pahkanmah based on integration of local wisdom and principle of fashion design and knowledge transfer development of clothing from Pahkanmah to Community of Wanon-nivat district Sakon-Nakron province. There were tree issue 1. Making Knowledge in products development from Pahkanmah to guide the creative product of the community. 2. The communicate knowledge in product creation to community and standardize the product including the addition the target group. 3. Promotes the Innovation of Product design commercial creation create of community identity for potential development and sustainable occupation. Data were analyzed using a descriptive analysis on the concept of local wisdom from a weaving bee Pahkanmah Wanon-nivat District Sakon-Nakron Province with concept of fashion design and analyzed manner statistics data of the questionnaire about the requirement and the contentment that have to build clothes format from Pahkanmah of location in woman working age between 25 year - 35 year the residence is in Bangkok and the perimeter 200 persons amounts for take the data has that to go to apply in designing and produce clothes from Pahkanmah. The results showed that local wisdom from Pahkanmah Wanon-nivat district Sakon-Nakron province have transmitted passed on from generation to generation from production to household appliances then have design and color follow the inventory obtained from the local when bring the products a clothing design then has to use the patchwork technique and applied placement pattern of Pahkanmah the results forms and patterns interesting and appropriate with trend fashions. The community groups to gain knowledge and can use wisdom from Pahkanmah and fashion design idea the inventive uniform for woman to promote community career.

The purpose of this research was to study the ways of Karieng tribal culture conserve and develop Karieng’s fabric and transfer technology to the target groups. The research instruments consisted of the interview the product prototype the opinion evaluation the performance evaluation the training evaluation. The sample groups used for this study comprised Karieng of Tambon Sridongyen Amphur Chaiprakan in Chaingmai province Karieng of Tambon Pangmoo Amphur Muang in Maehongson province Karieng of Tambonkhanaechue Amphur Maeramad in Tak province. Groups of 100 people were interested in these products and 25 trainees of Karieng of Tambon Sridongyen Amphur Chaiprakan in Chaingmai. Statistics used were percentage average and standard deviation. The results revealed that 3 Karieng groups were the same culture ways in the religion languages the life ways costumes occupation culture tradition residents and family systems. They were different from Karieng of Tambon Pangmoo Amphur Muang in Maehongson who wore a brass collar were called long neck Karieng but some people weren’t wearing them in this day. Groups of Karieng Tumbon Khanechue Amphur Maeramad in Tak province will use the urban lifestyle and costumes. Groups of Karieng Tumbon Sridongyen Amphur Chaiprakan in Chiangmai will use in sufficient style farmers and employees. All of them were similar to wear Karieng’s fabric in ceremonies. The researchers concluded that the development of tribe’s fabric were applied the costumes style from the origins. We used two methods: the striped fabric and decorative materials were made in ten patterns. The evaluation of Karieng’s fabric product found that the sixth clothes pattern were the best suitable in decoration the pattern and design averaged 4.45. and the transfer technology evaluation trainees groups were Karieng of Tumbon Sridongyen Amphur Chaiprakan in Chaingmai province wanted to know and practice to develop the modern garment pattern base on the conservative of wisdom and creation the economic communities. The assessment result found that the female trainees who were farmer’s occupation primary education income less than 4000 baht were over 40 years. Before training they knew the Karieng garment design in moderate level. Sewing and decoration of Karieng garment were in high level. After training they knew more three things. They brought the knowledge to use in high level. The trainees want to train the next time in the highest.

The objectives of the research ancient woven design of Laocrung Baan Kokemor Uthai Thani province to study and collect ancient woven designs of Laocrung to preserve knowledge about woven design and to conserve the ancient woven design of Laocrung Baan Kokemor in view of their indigenous knowledge about weaving particularly identity in color and weaving techniques which show off the charming customs traditions cultures and belief reflected in Laocrung. This research aimed to study phasin of more fabrics than 50 years and present pattern by pattern comparisons to effect conservation and maintain database of Laocrung Baan Kokemor. The study found that Phasin ancient woven design of laocrung Baan Kokemor is unique in three identities: 1) the Nature of Phasin can be divided into four types--sinmeeta sinmeenoi whole sin and sipsiw pattern; 2) the color scheme is always in red lac sin; and 3) the color marking is in the mudmee pattern called “tamtakor”. Phasin weave patterns were found mudmee pattern such as khor luang-noi luang-yai ta-pho hongse nark khor-rakhung mee-luangnoi khun-chung mee-tapao nak-kad klong mee-tayai nak song hua lao dan noi nok khor kai klong kee kab thong punchung sumroaj huatud sumroaj hua laem lai khorkhue khorging and tapaokaew; jog patterns such as a-ae khonglueng hongse luk kruengplong (striped mini employed in all) tuay khorkumsorn khorkumlek korkhuenoi khorbuay dokkaew khorkhueyai khunrom and jog ueng-peek-kai; and khid patterns such as khidsiw and mae rod.

A study on developing textile products from fiber lemongrass has been carried out aimed at processing yarn from lemongrass fiber developing textile fabrics such as clothing hats and shoes and teaching product design and technology to a community. Lemongrass leaves were processed with chemicals to produce a fiber lemongrass then spun to 100% lemongrass yarn with large unsmooth surfaces the used to produce handbag hats and shoes. However for garment fabrics the researchers developed the lemongrass yarn for weaving by mixing cotton in a 60:40 ratio to produce hand-woven cloth. Using hand-woven folk wisdom the Takfa community in Nakhon Sawan produced natural dyes from Bengal Almond leaves a performed surface finishing for a smoother touch. After weaving lemongrass fiber cloth gives off a lemongrass odor but this fades gradually. The physical properties of lemongrass fiber cloth are then tested for strength resistance and abrasion. Processing lemongrass cloth fiber to textile products enables us to produce various products such as clothes bags and hats. In passing technology to the community the residents recognized the advantages and benefits of using the fabric. Further research should investigate mixing lemongrass fibers with other natural fibers improved fiber durability luster of the fiber to increase fiber value or using lemongrass fiber for household products.

งานวิจัยฉบับนี้มีวัตถุประสงค์เพื่อการออกแบบลวดลายผ้าทอแบบร่วมสมัยสาหรับการประยุกต์ใช้กับผลิตภัณฑ์เคหะสิ่งทอ ชุมชนทอผ้าวัดไผ่หูช้าง อำเภอบางเลน จังหวัดนครปฐม ที่สอดคล้องกับภูมิปัญญา และศักยภาพทางการผลิตของชุมชน ซึ่งประชากรกลุ่มตัวอย่างในงานวิจัยเรื่องนี้คือ ชุมชนทอผ้าวัดไผ่หูช้าง อำเภอบางเลน จังหวัดนครปฐม ผลการวิจัยเรื่องนี้พบว่า ประชากรส่วนใหญ่ประกอบอาชีพเกษตรกรรมเป็นอาชีพหลัก และทอผ้า พื้นเมืองเป็นอาชีพรอง กลุ่มชุมชนทอผ้าวัดไผ่หูช้าง มีความต้องการพัฒนารูปแบบตามแนวคิดลวดลายผ้าทอแบบร่วมสมัย ผู้วิจัยได้ใช้วิธีการวิจัยเชิงปฏิบัติการแบบมีส่วนร่วมโดยการแลกเปลี่ยนความคิดเห็นปฏิบัติงานร่วมกันระหว่างกลุ่มทอผ้ากับผู้วิจัยเพื่อส่งผลให้เกิดการวิเคราะห์ปัญหาและแสวงหาแนวทางในการแก้ปัญหา ซึ่งพบว่าลวดลายผ้าทอแบบร่วมสมัย ต้องมีรูปแบบที่ผลิตง่ายไม่ซับซ้อน มีลักษณะการทอผ้า เป็นลายขัดที่เหมาะสมกับการทอผ้าพื้นบ้านของชุมชน และบ่งบอกถึงเอกลักษณ์ของชุมชน ลักษณะลวดลายของผ้าทอใช้แนวคิดการออกแบบลวดลายเน้นแนวคิดด้านการใช้ชีวิต หรือถิ่น กำเนิดของรากเหง้าชุมชน ประกอบไปด้วย ลวดลายเฉียง ลวดลายเกร็ดปลา ลวดลายดาว ลวดลายน้า ลวดลายภูเขา โดยเน้นเอกลักษณ์ที่เด่นของผ้า “ลายแตงโม” ของกลุ่มทอผ้าพื้นเมืองตำบลไผ่หูช้าง ในลักษณะการมัดหมี่ โดยการมัดด้ายพุ่งเพื่อสร้างช่วงของสีต่างๆให้เกิดขึ้นในเส้นด้ายพุ่ง โดยใช้สีดาหรือสีกรมท่า เป็นสีหลักในการออกแบบลวดลาย